-OC Format Sans is the third incarnation of this geometric grotesk sans serif which fuses the style of Futura with the rhythm and proportions of Akzidenz. It comes in two styles, standard and a new Print family where crisp sharp edges have been made blunt in reference to the ink spread that occurs when printing on uncoated paper stock. It can give digital media a softer more approachable analog aesthetic.
Typical of both grotesk and geometric styles the design has an even weight with minimal stroke contrast and the slanted form is an oblique rather than a true italic. The default double-story ‘a’ and ‘g’ give an academic touch, the single story versions of Set 1 are more friendly and approachable while Set 2 changes the look into something more scientific.
Made with tireless attention to detail and kerning it's perfect for logotypes and extensive text, supports multiple languages and comes with a plethora of OpenType features including standard and discretionary ligatures, social icons, symbols, and multiple figure styles including roman numerals.
Showing posts with label akzidenz. Show all posts
Showing posts with label akzidenz. Show all posts
Wednesday, October 16, 2019
Download -OC Format Sans Font Family From OtherwhereCollective
Thursday, July 25, 2019
Download Kontora Font Family From NaumType
Kontora is elegant, universal and laconic geometric sans.
Kontora has minimal amount of decor, mostly modern proportions and letterforms, but at the same time shows a touch of retro constructivist aesthetics.
This version of Kontora sans comes in 9 weights, it has 590 glyphs, therefore it supports Latin Extended A (Western and Central European) and Cyrillic (Russian, Ukrainian, Bulgarian) languages.
It has basic ligatures and two sets of stylistic alternates.
Kontora is perfect for clean and minimalistic design, as well as it can be a breath of fresh air to a fully loaded complex layout.
Use it for bold typography, headlines, posters, branding, packaging, it looks great in all caps and vivifies design as a text font.
Tuesday, July 23, 2019
Download Approach Font Family From Emtype Foundry
Approach is a modern approximation to the early grotesques. An utilitarian low contrast font, a bit mechanic but plenty of character. One of its characteristic elements is a kind of ‘elbow pipe’ shape that is present in many letters like the tail of the a, f, j, t, R, Q or 1 among others. Besides, the synthetic punctuation and quotes give it a more contemporary appearance. Approach tries to feel fresh against all odds, being familiar but different.
Tuesday, May 21, 2019
Download CA Saygon Font Family From Cape-Arcona
CA Saygon was originally conceived for a large corporate design project, but as this was never implemented, the way was free to make a public font. As a striking corporate typeface, it transports the fractions of a society after the post-modernist phase. After hundreds of sketches a bunch full of letters were selected, some of them quite twisted, others rather conventional. The combination of these letters reflects a rebellion of individuality but also leads to a coherent typeface. Additionally there are alternative letterforms in the Stylistic Sets or in the glyphs palette, which keeps the font always exciting to the designer.
Thanks to the Cyrillic and Latin Extended character sets, a huge language area is covered that even extends to Vietnam! Numerous OpenType features make life easier for the professional typographer: There are fractions, superscript and subscript numbers, as well as proportional and tabular numbers.
Thursday, April 18, 2019
Download -OC Pajaro Font Family From OtherwhereCollective
-OC Pájaro [pah-hah-roh, Spanish for bird] is a contemporary sans serif available in fourteen styles. It combines the readable width, rhythm and regular proportions of a grotesk with roots in a geometric. The result is a highly versatile font which fuses the timeless elegance of Futura with the compact utilitarian typesetting of the likes of Akzidenz and Helvetica.
-OC Pájaro effortlessly traverses the spectrum from high-end sophistication, approachable readability, and functional information design. Crafted with a tireless focus on kerning, angled terminals are cut to fit neighboring curved letters making the bolder weights perfect for logotypes and display type, while lighter weights are well suited for long passages of text. A large x-height and short ascenders that run level with the low cap-height give a strong horizontal emphasis and allow for tightly packed lines of type.
Typical of both grotesk and geometric styles the design has an even weight with minimal stroke contrast and the slanted form is an oblique rather than a true italic. The default double-story ‘a’ and ‘g’ give a more academic touch, while the friendlier single stories are available as alternates.
The font is designed with extensive open type features including old style figures when setting extensive copy in sentence case and circled uppercase, numbers and symbols inspired by 1960s transit signage.
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