 |
The Sabrina is a modern script font with an elegant style. You can alternate between the regular and swashed letters to get a handwritten, professional look.
Saturday, May 25, 2019
Download Sabrina Script Font Family From Straight.Co
Download Gatsby Modern Font Family From Nicky Laatz
 |
Gatsby Modern Serif takes its cues from the "Roaring Twenties" , an era when breaking from the norm was the order of the day, when femininity took on a charming 'boyishness', and a time when anyone who’s anyone, needed to be bold and ever so slightly, or even not so slightly, eccentric.
Perfect at any size - Gatsby Modern does well from large eye-catching headlines , to large paragraphs of small text. Great for modern branding, posters, logos, social media projects, headers, advertising and so much more.
Gatsby Modern is available in two weights, regular and a heavier set bold to suit your project needs.
Download One of the guys Font Family From PizzaDude.dk
 |
One of the guys is a simple, highly legible, mono lined comic book font. Simple, yes, but full of personality! Use it as it is, or spice up your text by using the extra layer. The extra layer could be ghouly slime, birthday cake cream, snow or whatever your imagination figures out!
Download Slight Font Family From Up Up Creative
 |
Introducing Slight, an elegant, full-featured script font with tons of alternate characters and OpenType features. Hand-lettered with a heavy right slant, Slight is particularly well-suited for invitations, branding, and editorial design.
Slight comes with more than 1000 glyphs! Specific OpenType features include contextual alternates, stylistic alternates, initial and final forms, multiple alternate glyphs for many letters (accessed through the glyphs panel), multilingual support (including multiple currency symbols), ligatures, standard numbers, and six ampersand styles. Perhaps the most fun thing about Slight is that it includes multiple versions of all ascending and descending letters, making it lots of fun to play with in your layouts and compositions.
The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign. (To access these awesome features in Microsoft Word, you'll need to get comfortable with the advanced tab of Word's font menu. If you need help with this, ask me!)
Files included:
Slight-Regular.otf
Mail support : julie@upupcreative.com
---
Find inspiration (and sneak peeks at my next font-in-progress) on
- Instagram: http://instagram.com/julieatupupcreative
- Facebook : https://www.facebook.com/upupcreative
- Pinterest: https://www.pinterest.com/upupcreative
- My website: http://upupcreative.com
---
PLEASE ENJOY! I can't wait to see what you make with Slight! Feel free to use the #upupcreative and #slightscriptfont tags to show me what you've been up to!
Download Meetha Script Font Family From FadeLine Studio
 |
Meetha Script is modern calligraphy script font. This is a beautiful script font with italic style. Made gently and danced to give the character of modern writing that is sweet, simple, stylish and firm.
With a style like this, this font will be suitable in use for logo's, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, logo's, t-shirts, book covers, name card, invitation cards, greeting cards, and all your other lovely projects.
Download Displatter Font Family From Sronstudio
 |
Displatter is a natural hand-brushed font, this font is perfect for logo, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything.
Displatter comes with full set of uppercase and lowercase letters, multilingual symbols, numerals, punctuation and ligatures.
Thank You,
Sronstudio
Friday, May 24, 2019
Download Emperatriz Font Family From Latinotype
 |
Emperatriz—with deep roots in the Roman tradition—is an elegant font and, above all, firmly situated in the present, featuring monumental forms and a classical design yet with a contemporary twist. It is a refreshing, clean, modern display font, perfect for the editorial design of magazines and catalogs, for the creation of titles and short texts, on book covers and large format publications, or as part of a corporate identity, logos, packaging and labels. Every variant in the family has generous counter forms, with ligatures and alternative capitals (Q, R, P, O), as well as oldstyle and Roman numerals, manicules, and monetary and mathematical symbols, providing a complete set with language support for more than 200 Latin script languages.
Download Kalli Hand Font Family From Posterizer KG
 |
Basically, Kalli Hand is a fast dry handwritten script, with a naturally pen-lettered look. Default character set contains most of Latin Pro accent letters and Serbian Cyrillic characters. Kalli Hand comes with a complete set of lowercase and uppercase OpenType Contextual Alternates, that includes all diacritic (accent) letters and Russian Cyrillic (instead of Serbian). For more authentic custom-feel text, there are Stylistic Alternates (with a few bonus ornaments), Standard and Discretionary Ligatures.
Perfectly fit for branding, logo, magazine headlines, wedding things, greeting cards, fashion, lookbook, mood board, presentation, and other naturally beautiful unperfect things that need a casual look.
Download Cubio Mono Font Family From R9 Type+Design
 |
Cubio™ Mono is a new monospace geometric sans serif inspired by the hexagonal silhouette of isometric cubes. We applied this angular form through all aspects of Cubio™ type design from the overall look of letters and icons down to the small details such as the end of each letter stem and hexagonal dotted lines.
This font family comes in 3 weights/styles: 300 (Regular), 500 (Medium), and 700 (Bold). With over 1,500 glyphs, Cubio™ Mono not only supports most Latin-based languages, but also features an extensive set of UX/UI icons, and patterns. Cubio™ Mono is a versatile typeface for both digital and traditional designs. Perfect for packaging design, logo design, print design, store signages, UX/UI web & apps designs.
Cubio™ Mono packed with features such as case-sensitive marks, punctuations and math symbols. It also comes with an extensive set of box/compartment drawings glyphs to help you create a unique modern design without even using the line tools.
We designed the Cubio™ Mono font system with your convenience in mind. It comes with two sets of hexagonal dotted line and icon positions (Mid Cap Height and Mid X-Height ), so you don’t have to use the baseline shift command to set them to the perfect spots.
Download Feeling Lovely Font Family From Subectype
 |
Feeling Lovely is an elegant calligraphy font. It features a varying baseline, is modern and looks stunning.
It can be used for various purposes such as headings, weddings, invitations, signatures, logos, branding, t-shirts, letterheads, and much more!
I hope you enjoy this font. If you have any questions please don't hesitate to drop me a message :)
Thank You,
Subectype
Download Kis Antiqua Now TH Pro Font Family From Elsner+Flake
 |
In the course of the re-vitalization of its Typoart typeface inventory, Elsner+Flake decided in 2006 to offer the “Kis Antiqua” by Hildegard Korger, in a re-worked form and with an extended sortiment, as an OpenType Pro-version. After consultation with Hildegard Korger, Elsner+Flake tasked the Leipzig type designer Erhard Kaiser with the execution of the re-design and expansion of the sortiment.
Detlef Schäfer writes in “Fotosatzschriften Type-Design+Schrifthersteller”, VEB Fachbuchverlag Leipzig, 1989: No other printing type has ever generated as far-reaching a controversy as this typeface which Jan Tschichold called the most beautiful of all the old Antiqua types. For a long time, it was thought to have been designed by Anton Janson. In 1720 a large number of the original types were displayed in the catalog of the „Ehrhardische Gycery“ (Ehrhardt Typefoundry) in Leipzig. Recently, thanks to the research performed by Beatrice Warde and especially György Haimann, it has been proven unambiguously that the originator of this typeface was Miklós (Nicholas) Tótfalusi Kis (pronounced Kisch) who was born in 1650 in the Hungarian town of Tótfal. His calvinistic church had sent him to the Netherlands to oversee the printing of a Hungarian language bible. He studied printing and punch cutting and earned special recognition for his Armenian and Hebrew types. Upon his return to Hungary, an emergency situation forced him to sell several of his matrice sets to the Ehrhardt Typefoundry in Leipzig. In Hungary he printed from his own typefaces, but religious tensions arose between him and one of his church elders. He died at an early age in 1702. The significant characteristics of the “Dutch Antiqua” by Kis are the larger body size, relatively small lower case letters and strong upper case letters, which show clearly defined contrasts in the stroke widths. The “Kis Antiqua” is less elegant than the Garamond, rather somewhat austere in a calvinistic way, but its expression is unique and full of tension. The upper and lower case serifs are only slightly concave, and the upper case O as well as the lower case o have, for the first time, a vertical axis. In the replica, sensitively and respectfully (responsibly) drawn by Hildegard Korger, these characteristics of this pleasantly readable and beautiful face have been well met. For Typoart it was clear that this typeface has to appear under its only true name “Kis Antiqua.” It will be used primarily in book design.
Elsner+Flake added these two headline weights, which are available besides a separate font family Kis Antiqua Now TB Pro.
Designer:
Miklós (Nicholas) Tótfalusi Kis, 1686
Hildegard Korger, 1986-1988
Erhard Kaiser, 2008
Download Kis Antiqua Now TB Pro Font Family From Elsner+Flake
 |
In the course of the re-vitalization of its Typoart typeface inventory, Elsner+Flake decided in 2006 to offer the “Kis Antiqua” by Hildegard Korger, in a re-worked form and with an extended sortiment, as an OpenType Pro-version. After consultation with Hildegard Korger, Elsner+Flake tasked the Leipzig type designer Erhard Kaiser with the execution of the re-design and expansion of the sortiment.
Detlef Schäfer writes in “Fotosatzschriften Type-Design+Schrifthersteller”, VEB Fachbuchverlag Leipzig, 1989: No other printing type has ever generated as far-reaching a controversy as this typeface which Jan Tschichold called the most beautiful of all the old Antiqua types. For a long time, it was thought to have been designed by Anton Janson. In 1720 a large number of the original types were displayed in the catalog of the „Ehrhardische Gycery“ (Ehrhardt Typefoundry) in Leipzig. Recently, thanks to the research performed by Beatrice Warde and especially György Haimann, it has been proven unambiguously that the originator of this typeface was Miklós (Nicholas) Tótfalusi Kis (pronounced „Kisch“) who was born in 1650 in the Hungarian town of Tótfal. His calvinistic church had sent him to the Netherlands to oversee the printing of a Hungarian language bible. He studied printing and punch cutting and earned special recognition for his Armenian and Hebrew types. Upon his return to Hungary, an emergency situation forced him to sell several of his matrice sets to the Ehrhardt Typefoundry in Leipzig. In Hungary he printed from his own typefaces, but religious tensions arose between him and one of his church elders. He died at an early age in 1702. The significant characteristics of the “Dutch Antiqua” by Kis are the larger body size, relatively small lower case letters and strong upper case letters, which show clearly defined contrasts in the stroke widths. The “Kis Antiqua” is less elegant than the Garamond, rather somewhat austere in a calvinistic way, but its expression is unique and full of tension. The upper and lower case serifs are only slightly concave, and the upper case O as well as the lower case o have, for the first time, a vertical axis. In the replica, sensitively and respectfully (responsibly) drawn by Hildegard Korger, these characteristics of this pleasantly readable and beautiful face have been well met. For Typoart it was clear that this typeface has to appear under its only true name “Kis Antiqua.” It will be used primarily in book design.
Elsner+Flake added two headline weights, which are available as a separate font family Kis Antiqua Now TH Pro
Designer:
Miklós (Nicholas) Tótfalusi Kis, 1686
Hildegard Korger, 1986-1988
Erhard Kaiser, 2008
Download The British Telegraph Font Family From Vintage Voyage Design Supply
 |
The British Telegraph font family was inspired by classic headers of Britain newspapers from the middle of XX century. Classic look with three width – Light, Regular and Bold. Great for headers, signs or logos. Also, working well for text blocks.
- The British Telegraph Light: Use it for text blocks, or for gently light header typographic. Try to make more wide tracking with capitals, it looks good.
- The British Telegraph Regular: Great for simple message, quotes, subheaders (If the header is Bold) or advert slogans.
- The British Telegraph Bold: Is a killing title buddy. Massive, strong, bold and in the same time – very gentle. Perfectly for main words, headers, signs or logo's.
The British Telegraph has full glyph set with standard and discretionary ligatures (Open Type Features).
Subscribe to:
Posts (Atom)