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Hagen Kids is a great font for your fun design project. Supports most Latin-based languages and comes with standard and discretionary ligatures. This font is packed with alternates that you can play with. Hagen kids is suitable for long text writing, subhead, or headlines for your content. This font gives a sense of informality, friendly and personal feel to your design. You can apply this fonts onto text books aimed at children. Try it for yourself.
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Aristotelica Pro is the 2020 redesign of the rounded geometric sans designed by Cosimo Lorenzo Pancini and Andrea Tartarelli developing the original philosophy of one of the classic and best-selling Zetafonts typefaces, Arista by Francesco Canovaro.
Originally conceived as an exercise in restraint and simplicity, Aristotelica is typographic eulogy to the simple beauty of circular shapes, aptly named after the greek philosopher who pioneered formal logic.
It shows its strengths mostly in display uses and logo design, with a palette of moods ranging from the stark elegance of the uppercase hairline weights to the playful softness of the lowercase bold weights.
True to its universalist calling, it has however been developed in a variant text version that applies slight corrections to design and metrics to allow for better legibility in long body copy.
In Aristotelica Pro both the display and the text subfamilies have been complemented with a condensed version, though especially for mobile screens and other situations where space-saving is a concern.
Also the original language coverage (extended latin, greek and cyrillic) has been expanded with the inclusion of arabic language glyphs, bringing the typeface to a total of over 1100 glyphs and 200 languages covered.
The family is further enriched by the inclusion of Aristotelica Icons, a set of matching variable-width monoline icons that can be used to faultlessly match the typeface line width.
OpenType features includes stylistic alternates, old style and lining figures and small caps.
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Obscura is a powerful and gritty grunge font that every designer should have in their font arsenal. Each letter has a ton of rough texture, which will add a whole new layer of detail to your design project and give it a bit more of an modern edge. Try it out for everything from album covers to food labels.
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Bay Tavern is the first weathered version of our Tavern font that's based on Algerian.
With three weights, open faced and outline versions to choose from you're sure to find the right style for your new project, restaurant menu, logo, t-shirt design or Pirate costume party.
Bay Tavern includes all the same alternates as our regular Tavern font family.
While our original Tavern font has been increased to include five weights additional weights for Bay Tavern will have to wait for now, adding the notched cut in's were all done by hand which causes a lot of cramping so a long break is needed before creating the extra weights.
The Fill fonts in the Bay Tavern family are meant to be used with Bay Tavern Open fonts, if you're using Bay Tavern Open then select Bay Tavern Fill, if you're using Bay Tavern Open L then select Bay Tavern Fill L, if you're using Bay Tavern Open S then select Bay Tavern Fill S, if you're using Bay Tavern Open SL then select Bay Tavern Fill SL, the same rule goes for the Open X version.
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Saint Onki is a natural brush font with 4 styles that will give a casual impression to your design. With stylistic sets and original handmade quality, your design will stand out more.
You will get
Hope you like it with this font. Have a great day and happy buying.
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Strives Less script font is a made with brushes and ink. This typeface is ideal for use in thick watercolor designs or handwriting styles, such as blog titles, posters, wedding elements, t-shirts, clothing, book covers, business cards, greeting cards, branding, merchandising, and more.
Contains a full set of :
How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw
How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ
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FS Maja is a bright and cheeky typeface by Smith,Jason . Bubbly, punchy, and entertaining. Distinctively warm with soft rounded shapes, FS Maja is a display and text font that’s young, fresh and beautifully random!
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FS Meridian is the timeless typeface.
A rhythmic sans serif which takes inspiration from the precise yet imperfect nature of time. From a geometric base, its rounded forms veer and extend, creating unexpected humanistic shapes – while the straight terminals remain reliably rigid. This combination of forms gives this grotesque sans serif a pleasingly dynamic rhythm,
every time it’s read.
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FS Irwin is an incisive typeface.
Inspired by New York and cosmopolitan
city life, FS Irwin is an adaptable sans
serif with calligraphic roots.
The design, proportions and details are
usable and authentic making it suitable
for countless situations. A perfectly
clear typeface that can communicate
an idea with precise simplicity.
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FS Pimlico is a vibrant typeface. Inspired by brushwriting, Pimlico is a versatile and adoring type system capable of bringing a very human and comfortable feel to small texts, headlines, signage systems, corporate identities and large billboard ads. The three weights and true italics come packed with cheerful and enthusiastic details which remain concise and effective for varied typographical purposes. Beautiful swashes are available for all weights along with a lovely and bubbly glow font for graphic headline goodness.
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Lola is a font family full of life and has a wide range of uses. Large and small FS Lola is full of character.
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FS Koopman is a hard-working typeface.
A crossbred workhorse that draws on inspiration from Swiss grotesks, American gothics and early British grotesques. It refuses to fit neatly into any of these categories, it’s neither
one nor the other, but all of the above. It’s kinda Swiss meets American… (but with a slight Yorkshire twang).
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FS Matthew is a multi-talented typeface.
A clear, stylish and structured sans serif with swooping curves of openness which create a lively, flavourful character. Unexpected drama in details such as the reaching curve of the g and y, the shape of the u, and the off-kilter k, v and w all
build-up the fonts character. Generous counters and a slightly condensed aspect come together to make it very legible and space-saving in text or title sizes. A structured system for solid corporate identities, signage systems, logotypes, screens, websites and billboard ads. An all round multi-talented font with a feel-good factor – radiant, efficient and sound.